#78: Sentimental Journey

Gonna take a sentimental journey
Gonna set my heart at ease
Gonna make a sentimental journey
To renew old memories
Got my bags, got my reservations,
Spent each dime I could afford
Like a child in wild anticipation
I long to hear that, "All aboard!"

In the latter years of World War II, bandleader Les Brown coaxed Doris Day (see picture, left) to join his orchestra at the Hotel Pennsylvania's Cafe Rouge and wax nostalgic with his "Sentimental Journey," which became Day's first song to hit number-one on the charts. Born Doris Mary Anne von Kappelhoff, Day would later become America's girl-next-door as a silver-screen ingenue. Here, she takes on loping and sultry verses that skip the downbeat for a jazzy bounce, capturing the allure of a train voyage to see a lost love as the war comes to an end (see "I Thought About You" for more on railroad romance). To hear it, check out this montage tribute to Doris Day on YouTube, or take a trip back with Vikki Carr to 1961 (a year before she made it big with the girl-group classic, "He's a Rebel"). For a more recent recording, enjoy Renee Olstead on iTunes.

#80: Skylark

Skylark, have you anything to say to me?

Won't you tell me where my love can be?

Is there a meadow in the mist

Where someone's waiting to be kissed?

Written by Hoagy Carmichael and Johnny Mercer, this soaring song of unrequited love poses questions upon questions to a feathered friend. "Skylark" turns out to be one of several songs in Carmichael's "jazz aviary," along with "Baltimore Oriole" and "Mister Blackbird." Meanwhile, one biographer said Johnny Mercer wrote the words for this song as he yearned for Judy Garland. I love the marriage of composition and lyrics -- see the "crazy as a loon / sad as a gypsy serenading the moon" line in the bridge -- and musicians say that improvisation is just built right into the melody.

As for excellent renditions, the great Anita O'Day, who one critic said "is the only white woman that belongs in the same breath as Ella Fitzgerald, Billie Holiday and Sarah Vaughan,” tempered her typically boisterous style to coo this number with the Gene Krupa Orchestra in 1941. Here's Anita singing it, accompanying some family reunion slideshow (hey, we'll take what we can get). Aretha Franklin also does a beautiful job, and here's Bette Midler taking a lot of liberties for Carmichael's melody on Johnny Carson in 1985.