#79: Ac-Cent-Tchu-ate the Positive

You've got to accentuate the positive
Eliminate the negative
And latch on to the affirmative
Don't mess with Mister In-Between

You've got to spread joy up to the maximum
Bring gloom down to the minimum
Have faith or pandemonium's
Liable to walk upon the scene

While trying to wrap up the music for the 1944 film Here Comes the Waves, Mercer and Arlen found themselves uninspired and depressed by their inability to finish the last song for the score. On a long drive meant to distract them from the hard work of writing, Mercer asked Arlen to hum a spiritual on which he'd been working. At that moment Mercer recalled something he had heard from a pulpit- you gotta accentuate the positive and eliminate the negative- and before the drive was over, one line was transformed into a complete song.

I love how the two most colossally unlucky guys in biblical history- Jonah in the whale and Noah in the ark- are trotted out to explain how they latched on to the affirmative, eliminated the negative, and no no no! didn't mess with Mister In-Between. They've got the cred. We need to listen. Check out Ella's version on Verve's Ella Fitzgerald sings the Harold Arlen Songbook.

#88: You're The Top

You're the top!
You're Mahatma Gandhi.
You're the top!
You're Napoleon Brandy.
You're the purple light
Of a summer night in Spain,
You're the National Gallery
You're Garbo's salary,
You're cellophane.
You're sublime,
You're a turkey dinner,
You're the time
Of a Derby winner
I'm a toy balloon that is fated soon to pop
But if, baby, I'm the bottom,
You're the top!

What was considered cool in 1934? Cole Porter'll tell you -- in rhyme, no less. Written first on a lark (it reads like it was penned as a party-game, doesn't it?) and then adapted for the musical "Anything Goes," satirists have rewritten the lyrics many times over to fit every occasion. Ethel Merman has sung this name-dropper with everyone from Bing Crosby to Kermit the Frog, but here's a version with Frank Sinatra. (Those are two people you don't usually think of in the same sentence.) Or try Ella Fitzgerald and Nat King Cole. Or Cary Grant, playing an extremely flattering and sanitized version of the Indiana-born, Yale-educated composer in a 1946 biopic. Then see this footnoted version of the lyrics from Slate.com to get the skinny on Porter's famous list.

#91: Just One of Those Things

Cole Porter, the master of breezy sophistication, brilliantly unsentimentalizes love in his much recorded, now-standard "Just One of Those Things." Written for the 1935 musical Jubilee, this tune out-Porters Porter in its cool take on the loss of love. Hey, it was just one of those nights...just one of those fabulous flights...a trip to the moon on gossamer wings...just one of those things. And really, if we'd thought a bit of the end of it (when we started painting the town), we'd have been aware that our love affair was too hot not to cool down.

With its uptempo beat and trademark inner rhyming in the refrain, Porter reminds us all that romance may not last, but hey, why should we be sad and sentimental? After all, it was great fun! And really just one of those things. Watch Ella in Amsterdam, 1957: http://www.youtube.com/watch?v=MoiLkCojxAM