Showing posts with label Billie Holiday. Show all posts
Showing posts with label Billie Holiday. Show all posts

Wednesday, April 15, 2009

#87: Moonglow

It must have been moonglow
Way up in the blue
It must have been moonglow
That led me straight to you
I still hear you saying
Dear one, hold me fast
Then I start in praying
Oh lord, please let this last

This beautifully simple jazz number, written by composer Will Hudson in 1933 as a theme song for his Detroit band and lyricized soon after by Eddie DeLange, is just a few notes, and maybe that's why it feels as ethereal and magical as its subject. The bridge -- "we seem to float right through the air" -- glides right down the scale.

"Moonglow" became a go-to song for clarinetist Benny Goodman and his quartet, and it's still going strong with interpreters like the young New Orleans trumpeter and vocalist Jeremy Davenport on his album, "Maybe In a Dream." Here's Billie Holiday on YouTube with her 1952 take. Oh lord, please let this last, indeed!


Sunday, April 5, 2009

#93: Them There Eyes


My heart is jumpin'
Sure started somethin' with
Them there eyes
You'd better watch them if you're wise
They sparkle
They bubble
They're gonna get you in a whole lot of trouble
You're overworkin' them
There's danger lurkin' in
Them there eyes


This 1930 tune literally winks at you. "Them There Eyes" is a jazz-band favorite and gets a lot of its bounce out of its heart-fluttering tempo, flirty theme and quick, paired rhymes. Made famous by Billie Holiday (who took melody as a suggestion, rather than a given), it's been sung by everyone from Louis Armstrong to Chaka Khan. Maceo Pinkard and William Tracey collaborated on this naughty number with the 23-year-old Doris Tauber, who went on to write Bette Midler's famous "Clams on the Half Shell" revue 45 years later. Once a flirt, always a flirt.

Listen to this great rendition by Rebecca Kilgore.